The Concepts of Financial Intermediation Essay Example | Topics and Well Written Essays - 2500 words

The Concepts of Financial Intermediation - Essay Example A lot of these imperfections lead to particular types of transaction costs. These asymmetries can produce unfavourable selection, they can be temporary, generate moral exposure, and they can result a costly verification and enforcement. Based on studies, financial intermediaries emerge to at least partially overcome these costs. Leland and Pyle (32) interpreted financial intermediation as a coalition of sharing information. And intermediary coalitions according to Diamond (51) can achieve economies of scale. He also envisioned that financial intermediaries act on behalf of ultimate savers by effectively monitoring returns. According to Hart (1995), savers positively value the intermediations in terms of ultimate investments. On banker's behalf, according to Campbell and Kracaw (863-882) financial intermediations can create a constructive incentive result of short-term debt. The deposit finance can produce the right incentives for the management of the bank. A delicate financial structure needed to discipline the bank managers resulted illiquid assets (Diamond 393; Miller 21). In cases wherein the bank borrower preferred direct finance; financial intermediaries still act as a brokerage which was explained by Fama (39-58) as investment banks. In this, reputation is at stake and according to Campbell and Kracaw (885) in financing, the borrower's reputation as well as the financier is relevant. B. The transaction costs approach argument- This approach does not disagree with the statement of complete markets unlike the first approach mentioned. It is in accordance with a no convexities transaction process. The financial intermediaries in this approach work as alliances of borrowers who make use of economies of scale in the transaction process. According to many experts, the concept of transaction costs covers not only monetary transaction costs, but also searches, auditing and monitoring costs. In this instance, the function of the financial intermediaries is to convert particular financial claims into a so-called qualitative asset transformation. Ross (23-40) called it offering liquidity and diversified opportunities. The stipulation of liquidity is a key function for investors and savers and highly for corporate customers, in which the stipulation of diversification is being appreciated in institutional as well as personal financing. This liquidity should play a key role i n asset pricing theory (Oldfield and Santomero WP #95). With transaction costs the basis for the existence of financial intermediation is exogenous. C. Approach based on the regulation of money production - Regulation influences liquidity and solvency within the financial organization or market. It is argued that the capital of the bank affects its refinancing ability, bank safety, and ability to extract repayment from the borrowers (Diamond 414). Regulation as viewed on the basis of legality convenes as a vital factor in financial economy. However, the actions of the intermediaries intrinsically need regulation. The reason is that the banks specifically, are intrinsically illiquid and

Human Resource Management in Modern Organizations Essay

Human Resource Management in Modern Organizations - Essay Example Skilled, loyal and motivated employees remain perhaps the only reliable asset and competitive advantage of modern corporations. The overwhelming importance of balanced and effective HR management is one of the cornerstones underlying each major organization. Performance of modern organizations depends not only on hard and attenuating work of the personnel but also on the â€Å"human side† of the employees: their competence, motivation, attitudes, communication and other variables. As Gunnigle et al (2002) observe, â€Å"†¦HRM is the core of company’s general efficiency and the basis for effective management† (p.383). A company’s failure to effectively manage its human resources is likely to result in considerable operational difficulties and may seriously damage the business (Beardwell, 2003: 15). The below overview of the major concepts and theories underlying modern HRM practices demonstrates how effective management of human resources contributes to the development of a stable workforce and a healthy organization. The origins of human resource management as a separate discipline can be traced back to the beginning of the last century. Throughout the last century, theorists and practitioners worked intensively to discover the theories explaining human behavior at the workplace in order to raise the effectiveness of labor. As Alan Price (2000) states, HRM hasn’t come out of nowhere: there is a long history of â€Å"†¦efforts to improve our understanding of factors that affect human behavior in the workplace† (p.62). Though many of modern HRM principles had been developed by that time, the year of the discipline’s official birth was 1981, when Harvard Business School introduced a special course that served a blueprint for the global spread of human resource planning and management (Price, 2000).

Green Architecture Design Elements

Green Architecture Design Elements Introduction Since the Industrial Revolution, the world has witnessed incalculable technological achievements, population growth, and corresponding increases in resource use. As we enter a new century, we are recognizing the side effects of our activities: pollution, landfills at capacity, toxic waste, global warming, resource and ozone depletion, and deforestation. These efforts are straining the limits of the Earths carrying capacity  Ã‚  its ability to provide the resources required to sustain life while retaining the capacity to regenerate and remain viable. As the worlds population continues to expand, implementation of resource-efficient measures in all areas of human activity is imperative. The built environment is one clear example of the impact of human activity on resources. Buildings have a significant impact on the environment, accounting for one-sixth of the worlds freshwater withdrawals, one-quarter of its wood harvest, and two-fifths of its material and energy flows. Structures also impact areas beyond their immediate location, affecting the watersheds, air quality, and transportation patterns of communities.[1] That recognition is leading to changes in the way the building industry and building owners approach the design, construction, and operation of structures. With the leadership of diverse groups in the public and private sectors, the building industry is moving toward a new value in its work: that of environmental performance. The industrys growing sustainability ethic is based on the principles of resource efficiency, health, and productivity. Realization of these principles involves an integrated, multidisciplinary approach one in which a building project and its components are viewed on a full life-cycle basis. This cradle-to-cradle approach, known as green or sustainable building, considers a buildings total economic and environmental impact and performance, from material extraction and product manufacture to product transportation building design and construction, operations and maintenance, and building reuse or disposal. Ultimately, adoption of sustainable building practices will lead to a shift in the building industry, with sustainability thoroughly embedded in its practice, products, standards, codes, and regulations. Understanding the specifics of sustainable building and determining effective sustainable practices can be confusing. Local governments and private industry often do not have the resources to perform the necessary research to assemble information on sustainable practices, assuming such information is readily available. This thesis, by its parts, presents a full vision about green architecture, green buildings, and the opportunity to apply this architecture in Lebanon. In Addition, it includes a full conceptual design for a proposed project related to such architecture. PART 1: Green Architecture / Green Buildings 1.1 Definition Sustainable development is the challenge of meeting growing human needs for natural resources, industrial products, energy, food, transportation, shelter, and effective waste management while conserving and protecting environmental quality and the natural resource base essential for future life and development. This concept recognizes that meeting long-term human needs will be impossible unless we also conserve the earths natural physical, chemical, and biological systems.[2] Sustainable development concepts, applied to the design, construction, and operation of buildings, can enhance both the economic well-being and environmental health of communities around the world. The Union Internationale des Architects/American Institute of Architects (UIA/AIA) World Congress of Architects recognized that in its 1993 Declaration of Interdependence, which acknowledges that buildings and the built environment play a major role in the human impact on the natural environment and on the quality of life. If sustainable design principles are incorporated into building projects, benefits can include resource and energy efficiency, healthy buildings and materials, ecologically and socially sensitive land use, transportation efficiency, and strengthened local economies and communities. Embracing sustainability concepts, the goals aim to reduce energy, operation, and maintenance costs; reduce building-related illnesses; increase the productivity and comfort of building occupants; reduce waste and pollution; and increase building and component durability and flexibility.[3] In the developed countries, public and private leaders have realized the economic and environmental benefits of green building practices and are instituting policies, developing building guidelines, and manufacturing products and systems that will achieve sustainable development goals. 1.2 Green buildings history 1.2.1 Historical Buildings According to David Gissen, curator of architecture and design and the National Building Museum in Washington DC, structures such as Londons Crystal Palace and Milans Galleria Vittorio Emanuele II used methods that decreased the impact of the structure on the environment. Systems such as roof ventilators and underground air cooling chambers were used to regulate indoor air temperature.[4] In the early twentieth century, several skyscrapers such as the Flatiron Building and the New York Times Building in New York utilized deep-set windows and the Carson Pirie Scott department store in Chicago had retractable awnings. Both of these techniques were effective in controlling interior temperature while lessoning the buildings impact on the environment.[5] From the 1930s through the 1960s, the forward thinking cooling methods mentioned above gave way to some new building technologies that would change inner-city building construction dramatically. The invention of air conditioning, reflective glass, and structural steel popularized the enclosed glass and steel buildings that litter the American city today. These buildings were able to be heated and cooled with massive HVAC systems that consumed huge amounts of cheap and readily available fossil fuels.[6] The massive consumption of energy required to inhabit these buildings made their viability tenable and entirely dependent upon energy availability and cost. 1.2.2 The Infancy Around the time that the glass box style high rise had become the icon of the American city (circa 1970), a forward thinking group of architects, environmentalists, and ecologists[7] were inspired by the growing environmental movement and the higher fuel costs that were prevalent during the 1970s.[8] The genesis of these two scenarios ultimately resulted in the modern build green movement. The first Earth Day, celebrated in April 1970, gave some credence to this new building concept, but the OPEC oil embargo of 1973 gave the burgeoning environmental movement, and subsequently the green build effort, the kick start it needed. With gas lines stretching for blocks, some Americans began to question the conventional wisdom that we should be so independently reliant upon fossil fuels for our energy.[9] As a result of the oil embargo, amongst other energy concerns, the American Institute of Architects (AIA) formed a Committee on Energy that was broken into two camps. One group looked toward passive, such as reflective roofing materials and environmentally beneficial sitting of buildings, to achieve energy savings, while the other concentrated more on technological solutions, such as the use of triple-glazed windows.'[10] As energy concerns subsided, momentum for green building and the environment, in general, slowed down, but a dedicated core-group of architects continued to push their green building concept forward. A couple of notable buildings constructed during the seventies which utilized concepts of green design are: The Willis Faber and Dumas Headquarters in England, which utilized a grass roof, day-lighted atrium, and mirrored windows; the Gregory Bateson Building in California, which used energy-sensitive photovoltaic (solar cells)[11], under-floor rock store cooling systems, and area climate control devices.[12] Through the late seventies, throughout the eighties, and into the early nineties, much research was commissioned on energy efficient processes. This research resulted in more effective solar panels, prefabricated efficient wall systems, water reclamations systems, modular construction units, and direct usage of light through windows in order to decrease day-time energy consumption.[13] 1.3 Green Organizations 1.4 Green effect on buildings cities 1.4.1 Energy Efficiency Approximately 50 percent of the energy use in buildings is devoted to producing an artificial indoor climate through heating, cooling, ventilation, and lighting.[14] A typical buildings energy bill constitutes approximately 25 percent of the buildings total operating costs. Estimates indicate that climate-sensitive design using available technologies could cut heating and cooling energy consumption by 60 percent and lighting energy requirements by at least 50 percent in U.S. buildings.[15] 1.4.2 Water Efficiency Water conservation and efficiency programs have begun to lead to substantial decreases in the use of water within buildings. Water-efficient appliances and fixtures, behavioral changes, and changes in irrigation methods can reduce consumption by up to 30 percent or more.[16] As demand on water increases with urban growth, the economic impact of water conservation and efficiency will increase proportionately. Water efficiency not only can lead to substantial water savings, it also can reduce the requirement for expansion of water treatment facilities. Non-residential water customers account for a small percentage of the total number of water customers, but use approximately 35 percent or more of the total water.[17] 1.4.3 Waste Reduction Green architecture also seeks to reduce waste of energy, water and materials used during construction. For example, in California nearly 60% of the states waste comes from commercial buildings.[18] During the construction phase, one goal should be to reduce the amount of material going to landfills. Well-designed buildings also help reduce the amount of waste generated by the occupants as well, by providing on-site solutions such as compost bins to reduce matter going to landfills. To reduce the impact on wells or water treatment plants, several options exist. Greywater, wastewater from sources such as dishwashing or washing machines, can be used for subsurface irrigation, or if treated, for non-potable purposes, e.g., to flush toilets and wash cars. Rainwater collectors are used for similar purposes. Centralized wastewater treatment systems can be costly and use a lot of energy. An alternative to this process is converting waste and wastewater into fertilizer, which avoids these costs and shows other benefits. By collecting human waste at the source and running it to a semi-centralized biogas plant with other biological waste, liquid fertilizer can be produced. This concept was demonstrated by a settlement in Lubeck Germany in the late 1990s. Practices like these provide soil with organic nutrients and create carbon sinks that remove carbon dioxide from the atmosphere, offsetting greenhouse gas emission. Producing artificial fertilizer is also more costly in energy than this process.[19] 1.4.4 Construction Cost Reduction Application of green building concepts can yield for savings during the construction process. Measures that are relatively easy to implement can result in savings to the contractor in the following areas: Lower energy costs, by monitoring usage, installing energy-efficient lamps and fixtures, and using occupancy sensors to control lighting fixtures; Lower water costs, by monitoring consumption and reusing storm water and/or construction wastewater where possible; Lower site-clearing costs, by minimizing site disruption and movement of earth and installation of artificial systems; Lower landfill dumping fees and associated hauling charges, through reuse and recycling of construction and demolition debris; Lower materials costs, with more careful purchase and reuse of resources and materials; Possible earnings from sales of reusable items removed during building demolition; and Fewer employee health problems resulting from poor indoor air quality. This listing suggests some possible areas for cost savings; the project team can identify other possibilities through a cooperative and integrated team approach. The contractor can also improve relations with the community and building owner by viewing them as part of the team effort to implement environmentally sound construction measures. 1.4.5 Building Operation and Maintenance The green building measures discussed in this manual can lead not only to lower building operating expenses through reduced utility and waste disposal costs, but also to lower on-going building maintenance costs, ranging from salaries to supplies. For example, in many buildings, maintenance staff collects recycled materials on each floor or even at every employees desk and carry the materials down to the basement for hand sorting. Recycling chutes, a viable green alternative, allow direct discarding of materials from any floor in the building to the basement. The chute system, which ideally is installed during initial construction or renovation, can sort materials automatically, saving labor costs by eliminating the need to collect, transport, and sort recyclables. Other savings come in the form of lower waste hauling fees; reduced workers compensation insurance premiums due to lower claims for accidents from sharp glass and cans; reduced elevator maintenance; less frequent cleanin g of spills on carpets and floors; and less need for pest control. Environmentally friendly housekeeping products can also have financial advantages. For example, cleaning products that are purchased as concentrates and use minimal packaging not only promote waste reduction, but also can reduce product usage by 30 to 60 percent with dispensers that more accurately measure and dilute the cleaning products for optimum effectiveness.[20] Building owners need to view the building manager and staff as vital participants in environmentally sound and cost-effective operations. Building managers, charged with the efficient operation and maintenance of multi-million-dollar assets, have experience in all areas of operations and maintenance over the life of a building. Once a building is operational, training of management and maintenance staff including education on effective green building measures such as building energy management systems, new cleaning products, and new building codes and standards can help them to maintain the building in a resource-efficient and economically favorable manner. 1.4.6 Insurance and Liability The past decades conventional office design, construction, and operational practices have decreased the quality of the indoor office environment, resulting in new health concerns and associated economic costs and liability. The introduction of a multitude of new contaminant pollution sources into the workplace, combined with tighter building construction, has intensified air-quality problems. For example, poor indoor air quality can result from such factors as faulty air-conditioning systems, occupant related pollutants, construction materials that emit high levels of volatile organic compounds, and poor maintenance practices. The U.S. EPA ranks indoor air pollution among the top five environmental risks to public health. Unhealthy indoor air is found in up to 30 percent of new and renovated buildings.[21] Sick Building Syndrome (SBS) and Building Related Illness (BRI) have become more common in the workplace, increasing building owner and employer costs due to sickness, absenteeism, and increased liability claims. It has been estimated that SBS and BRI cost roughly $60 billion each year in medical expenses and lost worker productivity in the United States.[22] Legal actions related to Sick Building Syndrome and other building-related problems have increased. These actions against building designers, owners, or employers may be initiated by occupants who have short- or long-term problems, ranging from headaches and burning eyes to more serious ailments. Initial economic impact may come in the forms of higher health insurance premiums, increased workers compensation claims, and decreased productivity. Expensive remediation projects and environmental cleanups may follow, and building owners may try to recover losses from the original project contractors and architects through litigation. By ensuring better indoor air quality, building owners, employers, and design professionals can lower their risk of future litigation by building occupants. Professional liability insurance companies have indicated a willingness to offer design professionals lower insurance premiums for higher operating-procedure standards that lead to improved indoor air quality. Some national architectural firms are attempting to rate building products according to the levels of volatile organic compounds they emit after installation, and to educate building owners and managers about healthier product choices. 1.4.7 Occupant Health and Productivity The purpose of a building is not only to provide shelter for its occupants, but also to provide an environment conducive to high performance of all intended occupant activities. Recent studies have shown that buildings with good overall environmental quality, including effective ventilation, natural or proper levels of lighting, indoor air quality, and good acoustics, can increase worker productivity by six to 16 percent.[23] An organizations most significant financial commitment is usually to its employees. Many employers spend at least as much on salary-related expenditures as they do on constructing an entire company building. In many organizations, salaries and associated benefits consume the majority of the annual operating budget.[24] For example; based on the sample calculations in 2, a typical employer could spend $233 per square foot annually for an employee. Building construction costs generally fall below this level, often by 50 percent. In addition, annual employee salary-related expenditures, using the numbers in 2, are approximately 130 times greater than energy costs. A productivity increase of six percent equates to savings to the employer of $14 per square foot eight times the cost of the buildings annual energy bill. Given this information, an employer can decide to maximize the performance and efficiency of personnel resources through assessment of, and improvement to, the indoor environmental quality of its building. The following account of a recent renovation project illustrates this approach. Both building owners and building tenant/employers can benefit in other ways by improving indoor environmental quality. For owners, these improvements can result in higher property values, longer tenant occupancy and lease renewals, reduced insurance and operating costs, reduced liability risks, extended equipment life, and good publicity. For tenants, benefits include reduced absenteeism and better employee morale, reduced insurance and operating costs, reduced liability risks, and community recognition. If the building owner is also the employer, an organization can offset initial construction design and systems costs with the reduction of long-term organizational and operational expenses over the buildings life cycle. 1.4.8 Building Value Green buildings high efficiency and performance can result in higher property values and potentially lower lenders credit risk. Lower operating costs associated with more efficient systems can lead to higher building net income. In addition to increasing a buildings net operating income or value, green building measures may allow building owners to charge higher rents or achieve higher rates of building occupancy, if tenants view green properties as more desirable. Currently, voluntary building rating programs are under development for commercial buildings in the United States. As these programs are introduced into the marketplace and gain the acceptance of building owners and tenants, they could impact the value of properties. Prospective tenants will be able to rate buildings based on such measurable features as natural daylight, better indoor air quality, and lower energy, water, and waste costs. If enough buildings are rated for environmental performance, those that perform better will start to realize market advantages. 1.4.9 Local Economic Development Opportunities Promotion and implementation of green building practices within a community can generate new economic development opportunities. These opportunities can take a variety of forms, including new business development to meet the demand for green products and services; resource-efficiency improvement programs that enable existing businesses to lower operating costs; development of environmentally oriented business districts; and job training related to new green businesses and products. 1.5 Appliance Ways of applying 1.5.1 Appliances 1.5.1.1 Selecting environmentally and economically balanced building materials. Buildings significantly alter the environment. According to Worldwatch Institute1, building construction consumes 40 percent of the raw stone, gravel, and sand used globally each year, and 25 percent of the virgin wood. Buildings also account for 40 percent of the energy and 16 percent of the water used annually worldwide. In the United States, about as much construction and demolition waste is produced as municipal garbage. Finally, unhealthy indoor air is found in 30 percent of new and renovated buildings worldwide. Negative environmental impacts flow from these activities. For example, raw materials extraction can lead to resource depletion and biological diversity losses. Building materials manufacture and transport consumes energy, which generates emissions linked to global warming and acid rain. Landfill problems, such as leaching of heavy metals, may arise from waste generation. All these activities can lead to air and water pollution. Unhealthy indoor air may cause increased morbidity and mortality. Selecting environmentally preferable building materials is one way to improve a buildings environmental performance. To be practical, however, environmental performance must be balanced against economic performance. Even the most environmentally conscious building designer or building materials manufacturer will ultimately want to weigh environmental benefits against economic costs. They want to identify building materials that improve environmental performance with little or no increase in cost. The building community is making decisions today that have environmental and economic consequences. Its decisions are plagued by incomplete and uncertain data as well as the lack of a standardized methodology for evaluating the data. The NIST/EPA team seeks to support these decisions by gathering environmental and economic performance data and by structuring and computerizing the decision-making process. The resulting BEES tool will be publicly available over the Internet. In the mean while, the USGBC has published a list of materials certified from LEED containing several green materials including: flooring, interior construction, paints film, fabrics, draperies, tack surfaces, ceiling systems, lighting, appliances, millwork, furniture and plumping fixtures. 1.6 Education of green architecture Since 1993, UIA released the Declaration of Interdependence for a Sustainable Future suggesting that the architectural profession should seek to achieve ecological sustainability within the limited time that is likely to be available. And its been 14 years after the release of UIA / UNESCO Charter For Architectural Education that registers among educational goals an ecologically balanced and sustainable development of the built environment. Since then, many architecture schools have introduced or upgraded courses on technical aspects of sustainability, like Energy Conscious Design, Sustainable Architecture, Beyond Green or Bioclimatic Architecture and others more. The integration of sustainability in design schools up to now has been reviewed by several surveys. Most of them share two conclusions: first, that not many schools have embraced the subject in a thorough manner, pointing at the low level at which sustainable design concepts have been incorporated into the regular curriculum and noticing that environmental education in architecture has been done on an ad-hoc basis, fragmented and insufficient'[25]; second, that sustainable design requires teaching methods quite different than the long-established ones[26]. Environmental crisis and its foreseeable effects are still a marginal issue in the academic discourse at schools supposedly dealing with the environment, perhaps because crises are not an attractive subject in our feel-good era. As a result, those who will have to tackle the looming crisis in the near future are not adequately prepared. Still, the need to implement sustainable design is widely recognized by the educational community, at least in principle. A telling example is a survey among architectural educators in more than 30 European countries in 2001[27], where nearly 90% of the respondents are voting for a rather dramatic shift from a currently rather low to a high consideration of Sustainable Development in future architectural education. According to the survey, only 19% of those said that this concept is currently receiving a very/quite high level of consideration, and 83% said it should receive a very/quite high level of consideration in architectural education, identifying as an aspect of leading importance the integration of sustainability-issues into all studio design. In spite of such consensus, there is still a long road until sustainable design is firmly rooted in architectural learning. There are a number of reasons for this, within and outside the academic perimeter: 1.6.1 Academic obstacles _____________________ In most schools that show environmental concern, related issues are usually confined in elective classes, detached from design studios. This creates a fringe reputation for sustainability, shunning its principles from the main design projects to the periphery of architectural learning. As a result, no practical experience is gained in how to introduce sustainable qualities in the core design agenda. ______________________ In many cases the emphasis is on quantitative rather than qualitative matters. As a result number crunching eclipses design, and students tend to associate sustainable concerns with numerical performance only, detached from issues like comfort, resources, or societal ethics. In that manner, sustainability-related courses are considered similar to those on technical fields like structural or mechanical design, but not real architecture. ______________________ Sustainable design is a rather recent theme, not very familiar to the old guard that administers schools. Most tutors have had limited or even nonexistent training in their past, and practical experience is even more rare. Consequently, a lack of importance placed on sustainable design by many architectural educators'[28] is no surprise. As a result, it is difficult to introduce obscure, uninteresting or useless new topics to the curriculum, especially in view of the fact that sustainable design challenges the predominantly artistic stance of architecture. ___________________ Sustainable design is a complex architectural approach, encompassing diverse fields of knowledge and requiring multi-discipline teamwork. Therefore its teaching cannot fit with the conventional linear approach where different technical skills are segregated in different departments, with rare opportunities to bring them all together through joint projects in a holistic manner. Furthermore, sustainable architecture is a complex subject that should be covered throughout the curriculum'[29], not just in sporadic projects. ____________________ Furthermore, design projects are frequently detached from earthly reality as if they refer to a space station, hardly interrelated with nature or society. Societal ethics or environmental awareness are not embedded in the agenda, confining training in merely technical skills with major focus on the aesthetic. An architectural student suddenly transported to many of our architecture schools from 1900 Paris would feel right at home.[30] _____________________ Environmental crisis is repeatedly under the limelight of the media but, remarkably, it is seldom included in the academic discourse. There is little systematic awareness of the relationship of building and urban design with vital environmental issues like energy water shortages, air ground pollution, urban heat island ecological footprint, or resources depletion. And certainly such topics are not included in project briefs or ordinary student work. _______________________ Furthermore, there is insufficient supplementary input through technical classes like building physics or environmental technology that could support sustainable design projects. When students do not understand the dynamic linkage between structures, environmental conditions and users, it is not easy to differentiate, say, between building in the landscape and building in interaction with the landscape.[31] 1.6.2 Outside the classroom The introduction of sustainability in architecture schools encounters further difficulties stemming from the outer side of the academic walls: ____________________ Sustainable design has yet to find a clear identity: Is it a building technique, a blend of architecture and engineering that can be applied on any architectural variety just like, say, fire safety or seismic proofing? Is it just one more architectural fashion, perhaps with extra consideration to the environment than the rest, with its own stylistic trademarks like solar collectors, conservatories, or green labels? Or is it a novel design mindset, where nature society, today tomorrow are equal partners in the design framework? _____________________ The sustainable design family includes variations like energy conscious, bioclimatic, solar, ecological, or green, any of which could be applied in a non-sustainable manner. For instance, an energy-saving scheme could employ non-ecological materials; bioclimatic skyscrapers use more resources than low rise, and the sustainability of a huge green mansion with just two occupants is questionable. It is clear that sustainable design in full scale is a complex endeavor that requires a holistic alertness on a broad array of subjects, technical as much as social: Although there is much interest and curiosity about the subject, no one would say its easy to learn or apply in practice.[32] ______________________ The architectural haut couture of our era markets themes rather far from sustainability. As a result prudence and ÃŽÂ ¼ÃƒÅ½Ã‚ µÃƒ Ã¢â‚¬Å¾Ãƒ Ã‚ ÃƒÅ½Ã‚ ¿ÃƒÅ½Ã‚ ½ (metron = Greek for measure) are ostracized from the main architectural values[33]. Given that architecture is always learned by example, many students and many grownups too clone the glamorous paradigms of the grand maitres,

Corruption of the American Dream in the Great Gatsby by F. Scott Fitzge

Broken Dreams and Fallen Themes In The Great Gatsby, Fitzgerald employs the use of characters, themes, and symbolism to convey the idea of the American Dream and its corruption through the aspects of wealth, family, and status. In regards to wealth and success, Fitzgerald makes clear the growing corruption of the American Dream by using Gatsby himself as a symbol for the corrupted dream throughout the text. In addition, when portraying the family the characters in Great Gatsby are used to expose the corruption growing in the family system present in the novel. Finally, the American longing for status as a citizen is gravely overshot when Gatsby surrounds his life with walls of lies in order to fulfill his desires for an impure dream. F. Scot. Fitzgerald, through his use of symbols, characters, and theme, displays for the reader a tale that provides a commentary on the American dream and more importantly on its corruption. Though success lies at the heart of the American dream, Fitzgerald deftly portrays the ease with which this sacred idea can become tainted by commenting on the corruption of wealth. Gatsby exemplifies the American dream in his ideals, in this case the desire for success and self-substantiation; however, this dream become corrupted because he is not able to distinguish the acquisition of wealth from the pursuit of his dream, embodied by Daisy, and is tainted by the illicit foundations of his wealth as well as his desires for an unsuitable married woman. Fitzgerald uses the symbol of the green light at the beginning of the novel to represent Gatsby’s dream and even uses the light to introduce him for the first time. â€Å"He [Gatsby] stretched his arms out towards the dark water in a curious way, and as far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward- and distinguished nothing but a single green light, minute and far away†(Fitzg erald 26). The author uses the light to represent the American dream; initially the color green represented fertility, which plays a prominent role in the dream, but as the story progresses the green light grows to symbolize money. In his essay â€Å"Money, Love, and Aspiration†, Roger Lewis discusses the means by which Gatsby amasses his wealth and poisons his dream. Gatsby’s money does not â€Å"smell† right- however explicitly tacitly condoned by the denizens of Gatsby’s world illegal... ...n dream can poison the family. In addition, at one point in the book, Gatsby works with Nick to bring her over so that he can see her again and show her his house. The moment when they appear truly happy together occurs when they are together in Gatsby’s gardens. Fitzgerald plays upon the classic garden image to show that the two are only happy in their naturally state, but they are not; they live in the world tainted by the actions and more specifically the failings of mankind. Furthermore, Roger Lewis implies the importance of the valley of ashes in the portrayal of the theme of Gatsby. In brief, the world of The Great Gatsby can seem as sordid, loveless, commercial, and dead as the ash heaps presided over by the eyes of dr. T.J. Eckleburg. Indeed, this atmosphere is so essential that one of the alternate titles Fitzgerald considered was Among the Ash-Heaps and Millionaires. Fitzgerald using the valley of ashes, illustrates an environment where love has lost its place, which destroys hope for a family; the eyes of T.J. Eckleburg, clearly intended to represent those of god, emphasizes that this lack of love and filial piety in a sin against themselves as well as society and God

World heritage at malacca

Melaka is one of the historic cities built along the Straits of Melaka. The city has been developed over 500 years of the mixture of trading and cultural exchanges between East and West traders. The influences of Asia and Europe have endowed the towns with a specific multicultural heritage that is both tangible and intangible. With its government buildings, churches, squares and fortifications, Melaka demonstrates the early stages of this history originating in the 1 5th-century Malay sultanate and the Portuguese and Dutch periods beginning in the early 16th century.The Stadthuys was one of the official residences for the Dutch Governor but now has become one of the famous attractions for visitors from all over the world. The legacy of the Dutch is still very much alive and felt in Malacca in a form of a red building called the Stadthuys. It used to be the administrative centre of successive governments but now it is a history museum. The Stadthuys can be easily found as it is Just b eside the Christ Church. Opposite the Stadthuys is the famous Jonker Street visited by many tourists.The Stadhuys is an evidence of a fine Dutch architecture. The building is so firmly made that even with little alteration and maintenances, it still stands firmly and upright. This shows that the Dutch had a great knowledge about the making of architecture. There are many tourists' shops along the walls of the Stadhuys. From the roof of the Stadhuys, one can see a great view of the Christchurch. The Stadthuys was built between 1641 and 1660 on the ruins of a fort which belongs to the Portuguese. It is believed that the Stadthuys is the oldest Dutch building in the East.This massive red building displays all the common features of the Dutch colonial architecture which includes substantial solid doors and louvered windows. Since its completion to 1980, the Stadthuys was used as the administrative centre of successive governments for a period of 300 years. It was in 1982 when the Stadth uys was converted into a history museum which exhibits Malacca's history starting from the great Malay Sultanate and the Portuguese, Dutch and British colonization till the present day.This building also has his history in the field of education, which in the 19th century during the British rule, a school run by the clergy known as the Malacca Free School was built in the yard Stadhuys Building. When the free education given by the English school. However most of the students in the school is composed of the children of the wealthy Chinese. Historical records show a letter dated 19 April 1825, stating the need to set up an English school in Malacca. The letter was sent to the council signed by a representative of the church, Mr.J. Humprey , JW Overee and A. W. Baumgarten . The school finally opened on December 7, 1826 with only 18 students. Malacca Free School Principal was Mr TH Moore. Soon the number of students at the school increased to 200. Study time from 9 am to 12 noon and f rom 2pm connected to 4 pm. Number of Malay students at that time not many because most parents send their children to Malay schools or religious schools. Although the language of instruction is English, other languages such as Malay, Portuguese and Chinese are also taught.In August 1878, the British government took over the administration ot the schools ot the clergy and called Malacca High School or High School Malacca. The new principal is Mr. A. Armstrong. In 1931, Malacca High School moved to its new site in Jalan Chan Koon Cheng until now. The building now houses the Museum of History and Ethnography. Daily display of this museum is a traditional wedding dress and artifacts from the heyday of Malacca. In conclusion, all the history past made the Stadthuys had been chosen as one of the world heritage.

You Suck: A Love Story Chapter 9~10

Chapter Nine It's Like Time Travel, Only You know, Slower†¦ THE CHRONICLES OF ABBY NORMAL: Tortured Victim of the Daylight Dwellers So here I am again, to open my veins and spill my pain onto your pages. My dark friend, after sixteen years of totally boring existence, I come to you at last with a glimmer of hope to break through the gloomth that is my miserable life. OMG! I have found him! Or I should say, he has found me. That's right, my Dark Lord has found me. A for-real vampyre. He is called the vampyre Flood, and he didn't say, but I think he is descended from European royalty – a viscount or a discount or one of those. I was in Walgreens with Jared when we saw him – and OMFG he's so hot, in a totally stealth way. I would have thought he was just a totally mainstream geek or something, with his flannel shirt and jeans, but he asked us about buying syringes and I totally saw his fangs come out. So, I was like, â€Å"I can hook you up with my dealer,† like that, and then he looked at my T-shirt and saw Byron's picture on it and he quoted â€Å"She Walks in Beauty,† which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance. So I went home and changed my clothes and fixed my makeup, and when we got to Glas Kat we breezed by the door like we were twenty-five or something. Jared made our IDs himself at Kinkos and we both look so mature in our pictures, although I think he overdid it with the mustache. Anyway, we were there like ten minutes, and this song came on that I really like – â€Å"Boning You in the Ossuary,† by Dead Can Dub – which is so cool and macabre. And I tried to get Jared to dance, but this guy comes by and grabs Jared's cape and says, â€Å"Blacks fade much?† and that was it. Jared went into a level-five freak-out, and turned into a total fuckwit, trying to get me to hide him and stuff, and then just saying he couldn't take it anymore and he had to go home and redye right then. So he abandoned me to the dank loneliness that is the night and I bought a bottle of water and some chips and got ready to grieve my lost youth, when HE showed up. OMG! Check it, he actually knew Byron and Shelley! He used to party with them in Switzerland when they were all young. They all did laudanum and read ghost stories and stuff, and then they actually invented Goth, right there in this villa on some lake. He is like THE SOURCE! He took me for coffee and I wanted to give myself to him right there in Starbucks. Lily will be totally jealous. So he said I have to wait. He is connected to some ancient Celtic vampire countess and I'm supposed to find them an apartment in the morning. He even gave me the name of a rental agent to call and a big wad of cash. I have to prove myself worthy of his trust, otherwise there's like no way he'll bestow the dark gift on me, and I'll totally have to finish my sophomore year and probably end up in junior college or working at Old Navy or something. So, since we're off for Christmas break, I'm going to call this woman and go find an apartment for the vampyre Flood and the Celtic vampyre countess. And when Flood rises from the grave at sunset, I will get my reward. I'm totally freaked about meeting the Celtic vampyre countess. Flood says she has a temper. What if she hates me? Flood says he's not really into her – it's not like that. It's like, she's his vampyre sire, and they've been together for like five hundred years, so, you know, they have history, and I can respect that. Note: Make sure to find out if I need to move their native soil to the new apartment before we move their coffins. Note: Do I need to have a coffin made? Is it okay if it's purple? Oh yeah, my sister Ronnie has head lice. Chapter Ten Red, White, and Blue, Not Necessarily in That Order Snow White, thought Blue. With the seven to look after me, and me them, I could be just like Snow White. Granted, the Animals weren't exactly dwarves, Jeff Murray, the ex-high-school-basketball star was at least six five, and Drew, their resident pharmacologist, was pretty close to that height, but she wasn't exactly Snow White either. Still, they were all kind to her, considerate, and basically respectful of her, within their limits as a bunch of pot-head punani hounds. They did seem to have a decent work ethic, were loyal, didn't fight among themselves, and were relatively clean, as guys this age went. In a few days, she'd have the rest of their money, she knew it, and they knew it, but then what? It was a ton of money, to be sure, but it wasn't fuck-you money. (Defined as having so much money that you can say â€Å"fuck you† to anyone, anywhere, anytime, and not have to worry about the consequences.) She'd have to find something to do, somewhere to go. As the possibility of her getting out of the life finally loomed large, she realized that she was going to need a new life to live, and frankly, it was scaring the hell out of her. Time isn't kind to a girl living on her looks, and she'd already extended her sell-by date by going blue, but what now? Who knew that the future she'd been hoping for would show up with such sharp teeth. So Blue asked herself the question†¦ Can a fallen Cheddar princess of Fond Du Lac make a life with seven perpetually adolescent party animals from the Bay Area? Maybe it could happen, but she had her misgivings about dwarf number seven: Clint. In her experience, it took a lot of work to fuck the Jesus out of a guy, and even then, he was prone to come down with a bad case of the guilts a day or two later. Not really a problem when you were working outcall, but if you were going to high-ho a whole pack of dwarves on a semipermanent basis, one of them having a high-maintenance, holy-ghost haunting was going to be a problem. â€Å"Whore of Babylon,† Clint said as the Animals led her into the Safeway like they were presenting her at the palace. She paused in the automatic doors, despite the fact that she felt like she was turning blue under her blue, dressed as she was in a silver lam minidress and six-inch clear Lucite heels, none of it protecting her from the frigid wind coming off the Bay, whipping through the Marina Safeway parking lot. Thinking she'd probably spend most of her time naked, she hadn't packed for San Francisco weather. â€Å"I've never even been to Babylon,† she said. â€Å"But I'm open to new experiences.† She licked her lips and stepped to where her breasts were within an inch of Clint's chest. He turned and bolted to the office, chanting, â€Å"Get thee behind me, get thee behind me, get thee behind me,† the whole way. â€Å"However you want it, baby,† said Blue. She decided she'd think of him as Freaked, the paranoid dwarf. â€Å"Barry will show you to the break room,† Lash said. He'd become the new leader of the Animals, mainly because he tended to be the most sober. â€Å"Jeff, send the limo back and lock the doors. Drew, make some coffee. Gustavo, see what the situation is on the floors. We may need you to throw stock on the shelves.† They stood there, looking at him. Stoned. Drunk. Baffled. Blue would think of Barry, the little, prematurely bald guy, as her special dwarf, Baffled. She smiled. Clint peeked over the three-quarter wall of the office. â€Å"Hey, you guys. You should know that the Emperor was here last night. He says that Tommy Flood is a vampire.† â€Å"Huh?† Lash said. â€Å"He's a vampire. That girl of his, she didn't leave town. She changed him.† â€Å"Get the fuck outta here,† said Jeff. Clint nodded furiously. â€Å"It's true.† â€Å"Well, fuck,† said the others, in an unsynchronized chorus. â€Å"Meeting,† Lash announced. â€Å"Gentlemen, take your seats.† He looked apologetically to Blue. â€Å"This shouldn't take long.† â€Å"I'll make coffee,† she said. â€Å"Uh†¦Ã¢â‚¬  Lash seemed concerned. â€Å"Blue, we're kind of on a budget from here on out.† â€Å"Coffee's free,† Blue said. She turned and started heading to the back of the store. â€Å"I'll find it.† The Animals watched Blue walk away and, when she turned the corner, gathered by the registers. Clint unlocked the office door and came out. â€Å"So, we have to notify those cops, so they can help us hunt him down.† Lash looked at the Animals, who looked back. Lash raised an eyebrow. The others nodded. Lash put his arm around Clint's shoulders. â€Å"Clint, the guys and I have discussed it, and we'd all like to do something for you.† Clint ran back in the office and slammed the door. â€Å"No! We have to destroy the agents of Satan.† â€Å"Right. Of course. We'll get right on that. But first I'd like you to ask yourself something, Clint. And I'd like you to answer not as the born-again man that you are now, but from that little boy that's inside of all of us.† â€Å"Okay,† Clint said, peeking over the office door. â€Å"Clint, haven't you ever wanted to bone a Smurf?† Jody heard Tommy come in the security door downstairs and met him on the stairs with a big hug and a backbreaking kiss. â€Å"Wow,† Tommy said. â€Å"Are you okay?† â€Å"I'm really good now. I was just checking on William. I think he pooped himself.† â€Å"I'm so sorry, Tommy. I shouldn't have left you on your own this soon.† â€Å"It's okay. I'm okay. Hey, you have something on your dress.† Jody was still wearing the little black dress. Some of the dust that was James O'Mally was still clinging to it near the hemline. â€Å"Oh, I must have bumped up against something.† â€Å"Let me get that for you,† Tommy said, brushing at her thigh, then starting to raise the dress up past her waist. Jody caught his hand. â€Å"Horndog!† Chet the huge shaved cat looked up for a second, then put his head back down on William's chest and went back to sleep. â€Å"But you left me on my own,† Tommy said, trying to sound sad, but smiling too much to make it work. â€Å"You're fine.† She looked at her watch. â€Å"We only have about forty minutes till sunup. We can talk while we get ready for bed.† â€Å"I'm ready for bed now,† Tommy said. She led him up the stairs into the loft, through the great room, the bedroom, and into the bathroom. She grabbed her toothbrush off the sink and tossed Tommy his. She pasted, then chucked the tube to him. â€Å"Do we still have to floss?† Tommy asked. â€Å"I mean, what's the point of being immortal if we have to floss?† â€Å"Yeah,† Jody said, through a mouthful of pinkish foam, â€Å"you should just go lie in the sun and get it over with, rather than suffer the torture of flossing.† â€Å"Don't be sarcastic. I didn't think we could get sick at all, but your hangover proved that to be wrong.† Jody nodded and spit. â€Å"Don't swallow any when you rinse. The water will come right back up.† â€Å"How come your foam is pink? My foam isn't pink. And I went last.† â€Å"My gums might be bleeding,† Jody said. Jody wasn't ready to tell him that she'd taken someone tonight. She would tell him, just not now. So, to change the subject, she summoned her superhuman strength and pantsed him. â€Å"Hey!† â€Å"When did you get skull-and-crossbones boxers?† â€Å"I bought them tonight, when you were getting Christmas presents. I thought they would seem dangerous.† â€Å"You bet,† Jody said, nodding furiously to keep from laughing. â€Å"And you'll blend in – in case you're ever caught with your pants down in the pirate locker room.† â€Å"Yeah, there's that,† Tommy said, a little toothpaste foam dribbling down his chest as he looked at his boxers. â€Å"I have the whitest legs in the universe. My legs are like great white carrion worms.† â€Å"Stop, you're making me horny.† â€Å"I've got to use that tanning lotion we bought. Where is it?† Jody moved with catlike speed out to the kitchen, snatched the lotion off the counter, and was back sitting on the edge of the bed in only a couple of seconds. If she could just keep Tommy from asking any questions until sunup, she was sure she'd figure out a way to tell him about the old man. â€Å"Come over here, worm legs, let me put some lotion on you.† To emphasize her commitment to lotionization, she stood, pulled the straps of her dress off her shoulders, and let it fall to the floor at her feet. She stepped out of her dress and stood there, in just her pumps and a silver necklace with a tiny heart that he had given her. Tommy hopped out of the bathroom – his pants still around his ankles – one long hop, and he stood in front of her. Jody smiled. Give a geek supernatural agility and speed, and what you get is a superagile, speedy geek. â€Å"You went out commando, in that dress?† â€Å"Never again,† Jody said, grabbing the waistband of his boxers and pulling him toward her. â€Å"These are mine, now. I want to be dangerous.† â€Å"That's so, so slutty,† he said, lisping a little, his fangs coming out now. â€Å"Yep. Where do you want to start with the lotion?† He pulled her close and kissed her neck. â€Å"We have to be careful not to break the furniture this time.† â€Å"Fuck it, less to move,† she said, her own fangs coming out now. She raked them down his chest. â€Å"If we figure out a way to get a place before someone kills us.† â€Å"Oh, yeah, I found us a minion,† he said as she bit into his side and tore his boxers off in a single swift pull. â€Å"What?† But Tommy was finished talking for a while. Blue watched as the Butterball rocketed by her and slammed into a triangle of two-liter soft-drink bottles – the front bottle burst, sending a cola-brown eruption of foam across the floor by the meat case. â€Å"Strike!† Barry shouted. He danced in a tight circle among the Animals, pointing and chanting, â€Å"I own you, and you, and you,† to each as he passed. Blue looked to Lash, and raised a cobalt eyebrow. Lash shrugged. â€Å"It happens. That's why we use diet soda. It's not as sticky.† He had decided that they all needed to sober up some more before they started stocking the shelves; thus the turkey bowling. â€Å"Can someone bring a mop?† Clint said. Because he would not gamble, he was the designated pin setter. He was scrambling around trying to retrieve soda bottles even as Jeff Murray was warming up at the other end of the aisle, swinging a Foster's Fresh Frozen Homestyle in each hand. He believed that he got better pin action off the Foster's because of the savory gravy packet stuffed in its center. He claimed that Foster's had mastered superior poultry technology, and was, in fact, working on an oversized titanium turkey. The other Animals were forced to point out to him that he was completely full of shit as they sprayed root beer on him. â€Å"So you guys hunted vampires?† Blue asked Lash. She had come back to the front with coffee for everyone just in time to hear Lash lay out the scenario for the Animals. She'd held off asking any questions until now. A Fresh Frozen meat missile zipped down the aisle between them. Lash didn't even blink. â€Å"Yep. We didn't kill him. We just blew up his yacht and took his art. That's where we got the money.† â€Å"Yeah, right,† said Blue. â€Å"I got that part. It's the vampire part I'm not clear on. Like a real vampire. A real, blood-drinking, can't-go-out-in-the-day, live-forever vampire.† â€Å"We figured he had to be at least six hundred years old,† Troy Lee added, joining in the conversation. â€Å"Blue, you wanna skid the buzzard?† He nodded to the end of the aisle, where Jeff was offering his spare Fresh Frozen turkey like a sacrifice. â€Å"So you guys, who work in a grocery store, have seen a vampire?† â€Å"Two of them,† Lash said. â€Å"Our night-crew leader, Tommy, was living with one of them.† â€Å"She was hot,† Troy Lee added. â€Å"Vampire hunters?† Blue couldn't believe it. â€Å"Well, not anymore,† Lash said. â€Å"Yeah,† Troy Lee said. â€Å"Clint says that Tommy's a vampire now. We're not going to mess with him.† â€Å"Spawn of Satan!† Clint shouted from the end of the aisle. Drew, who Blue had decided to think of as Doc, because he always carried the pot, ran down the aisle and shot-putted a twelve-pound self-basting at Clint's head. â€Å"Shut the fuck up!† Clint ducked and covered. The turkey went over the meat counter and stuck in the drywall by the window at the back of the meat department. To Blue, Drew said, â€Å"Sorry, couldn't be helped.† â€Å"Well, that's gonna take all night to patch,† said Clint. Lash looked at Troy Lee. â€Å"Could you kill him?† â€Å"On it,† Troy Lee said, falling into a fighting stance, before taking off and chasing Clint around the corner. â€Å"Prepare to die, White Devil!† â€Å"So,† said Blue. â€Å"You were saying?† â€Å"Well, Clint says Tommy is a vampire now, and we should go stake him out or something, but he's one of us, so we've decided to pursue a policy of Buddhist tolerance.† Just then Troy Lee dragged Clint back around the corner in a headlock. Despite being six inches shorter and forty pounds lighter than Clint, he'd studied martial arts since he was six and that took size out of the equation. â€Å"Should I hypnotize the chicken?† Troy asked. â€Å"Make it so,† said Lash. Troy Lee adjusted his chokehold on Clint. The larger man's eyes bugged out, his mouth moved like a gasping fish out of water, and he went limp in Troy's arms, who then dropped him in the puddle of diet soda on the floor. â€Å"He'll come around in a second or two.† Lash leaned into Blue to explain. â€Å"We used to call it choke the chicken, but that sounded kind of gayish.† â€Å"Of course,† said Blue. That trick would come in handy in her work. She'd have to ask Troy Lee to teach it to her. â€Å"And you think that your friend and this girl are really vampires.† â€Å"I suppose. Clint said he heard it from the Emperor, and he was the one that turned us on to the old vampire guy in the first place. Either way, they're not our problem.† â€Å"What if I said they were?† Blue said. Her mind was putting it together like a sewing machine on crack. It was insane, but for once she could see a future stretching out before her, welcoming her. â€Å"What if I said I wanted you to go after them?† Lash blinked at her like she was speaking Klingon. â€Å"Huh?† He looked at the other Animals, who had stopped bowling and moved into range of the conversation. They stood there with frosty gobblers steaming in their hands like they were on wet-nurse duty for a group of headless infant snowmen. â€Å"Flood is our friend,† Lash said. â€Å"I don't want you to kill him,† Blue said. â€Å"Just catch him.† Lash looked to the others, who looked away – at the floor, at the cabbage and lettuce counter, at the turnips, at their frozen charges. â€Å"I'll make it worth your while,† Blue said. Jody lay on the bed watching Tommy turn slowly, back and forth in the air like a pale white-boy mobile. The loft had twenty-foot ceilings with open, industrial-style beams, and sometime during their lovemaking, they had both ended up hanging from them. Jody dropped to the bed after she came, but Tommy still hung by one hand. The bright side was that with the exception of the set of shredded sheets upon which she lay, they had kept the destruction to a minimum. The downside – well, she really could have gone a couple of lifetimes without seeing him from this angle. â€Å"We did good,† Jody said. â€Å"Hardly anything broken.† â€Å"You think that monkeys really do it that way?† Tommy replied. â€Å"I always thought you were just using that as an expression.† She'd thought she could remain detached enough about their lovemaking to stay in control – to enjoy it, but to use it, as it were – but since Tommy had changed, it wasn't like that anymore. She lost herself in it, she didn't just make love with him, she fucked him like a crazed monkey girl. It was good, but disconcerting. She had liked being in control. â€Å"You look amazing from this angle,† Tommy said. â€Å"You look like a man-shaped fluorescent lightbulb,† Jody said, grinning at him, then noticing a change. â€Å"Do not get wood, Thomas Flood. You will not get wood, do you hear me?† â€Å"You sound like my mom,† Tommy said. â€Å"Ewwwww,† Jody said, shuddering and covering her eyes. â€Å"Ewwwww,† Tommy said, realizing what he had just said and about what and whom. He dropped to the bed and bounced. â€Å"Sorry. Quick, put the self-tanning lotion on me, we only have a few minutes before sunup.† â€Å"Okay, but just the lotion.† â€Å"Right, go.† Jody took the lotion and squirted some on her hands. â€Å"Turn around, I'll get your back.† â€Å"But – â€Å" â€Å"Just point that thing the other way, writer boy, you have had all the monkey love you're going to get tonight.† She said it, but she didn't mean it – she'd go another round if he wanted, if they had time before sunrise. Then she remembered. â€Å"Did you say you found us a minion?† â€Å"Yeah, I did. She's going to start tomorrow – er, today. I gave her money to get us an apartment. Told her what we needed.† â€Å"Her?† â€Å"Yeah, you remember that girl we saw in the drugstore?† Jody stopped rubbing, grabbed his shoulders, and spun him around. â€Å"You gave our deposit money to a nine-year-old?† â€Å"She's not nine. She's sixteen.† â€Å"Still, Tommy. You trusted our secret to a sixteen-year-old girl?† â€Å"She already knew.† â€Å"Yes, because you let your fangs show like some doofus of the night. You could have explained that somehow, or better yet, never seen her again.† â€Å"Look, she's smart, and she'll be loyal. I promise.† â€Å"You could have just gotten us killed.† â€Å"What would you have done? Huh? You have to trust someone.† â€Å"But a sixteen-year-old kid?† â€Å"I'm only nineteen, and I was a great minion. Besides, she thinks I'm her dark lord.† â€Å"Did you even tell her about me?† â€Å"Of course, she knows all about you. Knows that you're my sire – that's what they call the vampire who made you. I even told her that you were older, that you had vast experience.† â€Å"Vast? Vast experience sounds like I'm a slutty old divorcee. How old does she think I am?† â€Å"Five hundred.† â€Å"What?† â€Å"But you look great for five hundred. I mean, look, you got my attention. Do my front.† â€Å"Do your own front.† She threw the lotion bottle at him and he snatched it out of the air. â€Å"Love you,† Tommy said, slathering self-tanning goo all over his face and chest. â€Å"I'm going to lock the bedroom door,† Jody said as the alarm on their watches started beeping, signaling ten minutes before sunrise. She'd gotten the alarm watches for both of them, just in case. â€Å"You didn't give her keys, did you?† â€Å"Not to the bedroom.† â€Å"Great. What if she finds William in the stairwell and stakes him out? You could have given our key to a Buffy wannabe – â€Å" â€Å"This stuff is supposed to take like eight hours to work, so by sundown I'll be sexy bronze.† â€Å"There's a bronze vampire in the living room. Why don't you go ask him how that's working out for him?† â€Å"He's impersonal bronze, not sexy bronze like I'll be.† â€Å"Come to bed. And put on a T-shirt. I don't want a sexy bronze stain on the sheets, even if they are torn up.† Tommy sniff-tested a half-dozen shirts, finally decided on one, climbed into bed, and was kissing Jody good morning when the sunrise put them out.